| No. | Place | Movement | Coeff. | Mark | Remarks |
|---|---|---|---|---|---|
| 1 AEnter in collected trot XHalt - immobility - salute Directive ideas: Correctness of trot, halt and transition. Immobility. Straightness. Contact and poll. | A X | Enter in collected trot
Halt - immobility - salute Directive ideas: Correctness of trot, halt and transition. Immobility. Straightness. Contact and poll. | |||
| 2 XProceed in collected trot XCCollected trot Directive ideas: Promptness of depart, correctness of trot. Straightness. Contact and poll. | X XC | Proceed in collected trot
Collected trot Directive ideas: Promptness of depart, correctness of trot. Straightness. Contact and poll. | |||
| 3 CTrack to the left HXFMedium trot FCollected trot | C HXF F | Track to the left Medium trot Collected trot | |||
| 4 Transitions at H and F FAKCollected trot Directive ideas: Clear definition, balance, fluency of both transitions. Straightness. Change of frame. Correctness of trot. | FAK | Transitions at H and F
Collected trot Directive ideas: Clear definition, balance, fluency of both transitions. Straightness. Change of frame. Correctness of trot. | |||
| 5 KEShoulder-in right Directive ideas: Regularity and correctness of trot. Collection, cadence, balance, fluency. Uniform bend, constant angle. | KE | Shoulder-in right Directive ideas: Regularity and correctness of trot. Collection, cadence, balance, fluency. Uniform bend, constant angle. | 2 | ||
| 6 EXHalf volte right (10m Ø) XBHalf volte left (10m Ø) Directive ideas: Regularity and correctness of trot, collection, balance, cadence. Uniform bend to both sides. Size and shape of ½ voltes. | EX XB | Half volte right (10m Ø)
Half volte left (10m Ø) Directive ideas: Regularity and correctness of trot, collection, balance, cadence. Uniform bend to both sides. Size and shape of ½ voltes. | |||
| 7 BMShoulder in left Directive ideas: Regularity and correctness of trot. Collection, cadence, balance, fluency. Uniform bend, constant angle. | BM | Shoulder in left Directive ideas: Regularity and correctness of trot. Collection, cadence, balance, fluency. Uniform bend, constant angle. | 2 | ||
| 8 CTransition to medium walk CHGMedium walk Directive ideas: Regularity, suppleness, activity, moderate lengthening of steps and frame. Fluency of transition. | C CHG | Transition to medium walk
Medium walk Directive ideas: Regularity, suppleness, activity, moderate lengthening of steps and frame. Fluency of transition. | |||
| 9 Between G & MTurn on the haunches to the left, proceed in medium walk Directive ideas: Maintenance of four beat, activity, fluency, self-carriage. Forward tendency. Size, flexion, bend. | Between G & M | Turn on the haunches to the left, proceed in medium walk Directive ideas: Maintenance of four beat, activity, fluency, self-carriage. Forward tendency. Size, flexion, bend. | 2 | ||
| 10 Between G & HTurn on the haunches to the right, proceed in medium walk Directive ideas: Maintenance of four beat, activity, fluency, self-carriage. Forward tendency. Size, flexion, bend. | Between G & H | Turn on the haunches to the right, proceed in medium walk Directive ideas: Maintenance of four beat, activity, fluency, self-carriage. Forward tendency. Size, flexion, bend. | 2 | ||
| 11 GMCMedium walk Directive ideas: Regularity, suppleness, activity, moderate lengthening of steps and frame. | GMC | Medium walk Directive ideas: Regularity, suppleness, activity, moderate lengthening of steps and frame. | |||
| 12 CProceed in collected canter left CHCollected canter Directive ideas: Precise execution and fluency of transition, correctness of canter. | C CH | Proceed in collected canter left
Collected canter Directive ideas: Precise execution and fluency of transition, correctness of canter. | |||
| 13 HEKMedium canter KCollected canter Directive ideas: Correctness of canter. Lengthening of strides and frame. Balance, uphill tendency, straightness. | HEK K | Medium canter
Collected canter Directive ideas: Correctness of canter. Lengthening of strides and frame. Balance, uphill tendency, straightness. | |||
| 14 Transitions at H and K KAFCollected canter Directive ideas: Clear definition, balance, fluency of both transitions. Straightness. Correctness of canter. | KAF | Transitions at H and K
Collected canter Directive ideas: Clear definition, balance, fluency of both transitions. Straightness. Correctness of canter. | |||
| 15 FLESCollected canter Between F & EGive and retake the reins for 3 - 4 canter strides Directive ideas: Correctness of canter. Maintenance of self-carriage. Clear release of rein contact, independence of seat. | FLES Between F & E | Collected canter
Give and retake the reins for 3 - 4 canter strides Directive ideas: Correctness of canter. Maintenance of self-carriage. Clear release of rein contact, independence of seat. | 2 | ||
| 16 SRHalf circle (20 m Ø) Counter canter Directive ideas: Correctness of counter canter. Balance, self-carriage, fluency. Straightness. Accuracy of circle line. | SR | Half circle (20 m Ø)
Counter canter Directive ideas: Correctness of counter canter. Balance, self-carriage, fluency. Straightness. Accuracy of circle line. | |||
| 17 BSimple change of leg BPFCollected canter Directive ideas: Clear definition, balance and fluency of both transitions. Straightness. 3 - 5 clear walk steps. Correctness of canter. | B BPF | Simple change of leg
Collected canter Directive ideas: Clear definition, balance and fluency of both transitions. Straightness. 3 - 5 clear walk steps. Correctness of canter. | 2 | ||
| 18 FDHalf volte (10 m Ø) DPReturn to the track at P Directive ideas: Correctness of canter, balance, self-carriage. Bend. Size and shape of ½ volte. | FD DP | Half volte (10 m Ø)
Return to the track at P Directive ideas: Correctness of canter, balance, self-carriage. Bend. Size and shape of ½ volte. | |||
| 19 PBRMCCounter canter Directive ideas: Correctness of counter canter. Balance, self-carriage, fluency. Straightness. | PBRMC | Counter canter Directive ideas: Correctness of counter canter. Balance, self-carriage, fluency. Straightness. | |||
| 20 CSimple change of leg CHSECollected canter Directive ideas: Clear definition, balance and fluency of both transitions. Straightness. 3 - 5 clear walk steps. Correctness of canter. | C CHSE | Simple change of leg
Collected canter Directive ideas: Clear definition, balance and fluency of both transitions. Straightness. 3 - 5 clear walk steps. Correctness of canter. | 2 | ||
| 21 ETransition to working trot VPVCircle (20 m Ø), sitting or rising trot Between V & PLet the horse stretch on a long rein Between P & VRetake the reins, sitting trot VKAWorking trot Directive ideas: Maintenance of rhythm and balance. Gradual forward-downward stretching of neck. Retaking reins without resistance. | E VPV Between V & P Between P & V VKA | Transition to working trot
Circle (20 m Ø), sitting or rising trot
Let the horse stretch on a long rein
Retake the reins, sitting trot
Working trot Directive ideas: Maintenance of rhythm and balance. Gradual forward-downward stretching of neck. Retaking reins without resistance. | 2 | ||
| 22 ADown the centre line XHalt - immobility - salute Leave arena at A in walk on a long rein Directive ideas: Correctness of trot, halt and transition. Immobility. Straightness. Contact and poll. | A X | Down the centre line
Halt - immobility - salute
Leave arena at A in walk on a long rein Directive ideas: Correctness of trot, halt and transition. Immobility. Straightness. Contact and poll. |
| No. | Collective mark | Directive | Mark | Remarks |
|---|---|---|---|---|
| 23 | Rider's position and seat | Seat: well balanced, elastic, in centre of saddle, absorbing movements of horse. Correct position of upper body, arm, elbow, hand, leg, heel. | ||
| 24 | Effectiveness of aids | Influence of the aids on presentation of horse accord. to 'Scale of Training'. Influence of aids on correct presentation of movements/ paces. Sensitive use of aids. Independence of rider's seat | ||
| 25 | Precision | Preparation of movements. Accuracy of execution of figures. Execution of movements at markers prescribed. Maintenance of correct tempo. | ||
| 26 | General impression | Harmony of presentation. Correctness of paces. Ability to present the horse favourably. |